By Craig Childs
To whom does the prior belong? Is the archeologist who discovers a misplaced tomb a type of hero—or a villain? If somebody steals a relic from a museum and returns it to the damage it got here from, is she a thief?
Written in his trademark lyrical sort, Craig Childs's riveting new booklet is a ghost story—an excessive, impassioned research into the character of the previous and the issues we go away in the back of. We stopover at lonesome wilderness canyons and fancy 5th street artwork galleries, trip through the Americas, Asia, the prior and the current. the result's an excellent publication approximately guy and nature, remnants and reminiscence, a rushing story of crime and detection.
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Additional resources for Finders Keepers: A Tale of Archaeological Plunder and Obsession
Documentation is carried out at many levels and at each stage, capturing the object’s condition prior to treatment, results of the analysis and examination, progression of a conservation process, and condition of object after completion of treatment. Consultation and assistance to museum curators and other scholars-researchers Historically curators have used museum objects as the primary reference in their research and exhibited material to educate the public. The curator’s main objective was therefore the object’s usage.
Exhibitions, communicating and educating come only later in the conceptual order of things” (Donahue, 2004: 4). In an ideal world all objects in a museum should be well taken care of. Unfortunately, museum operations reflect a real-world dilemma; museums are underfunded and understaffed, which has a direct impact on the quality of collections care. This situation is uniformly noted in all countries, as indicated in periodically conducted surveys. As Knell mentioned in 1994 and repeated in 2001 in his Introduction to Care of Collections, “much of the world remains in deep recession – a recession which has produced a worldwide cut in museum staff, and museum closures” (Knell, 2001: 3).
How do we preserve those objects if any intervention and introduction of conservation materials will inevitably change their composition and will obscure the evidence? This ongoing debate began in the 1980s and continues to this day (Drumheller and Kaminitz, 1994) There is no clear answer or clean-cut formula that can be applied. In an ideal situation the decisions regarding care and maintenance of a particular object or collection are reached among the curators collaborating with conservators and the advocates representing the culture that produced a particular object.