By Brock Clarke
The tales during this assortment occupy a global instantaneously as generic as a suburban yard or a southern college’s hallowed soccer box and as unusual as a guy who buys Savannah, Georgia, and attempts to show it into the right Southern urban as a part of his try to win again his estranged spouse. the fictitious territory of sporting the Torch, is briefly, Brock Clarke’s, one within which the surreal and the hilarious proportion a local with the painfully genuine and the sweetly ironic. right here readers will come upon characters dislocated by means of paintings and love, by means of large losses and life’s small dramas, women and men who've migrated South looking for redemption—or at the least within the desire of leaving the worst behind. In those stories approximately what humans attempt to go away and locate they can’t, in regards to the lies we inform the folk we like and the myths we create to make existence livable, Marly Swick cites an “exceptional originality” in addition to an “amazing emotional resonance, a haunting quality.” “Notable for his or her stability of sentiment and discretion, the track in their language, and the haunting human longing that coexists with the irony and the humor,” as Lee Martin comments, those extraordinary tales hold ahead a practice achieving from Flannery O’Connor to John Cheever and Donald Barthelme—and arrive at a brilliance all their very own. (27000410)
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Additional info for Carrying the Torch: Stories (Prairie Schooner Book Prize in Fiction)
In Bu√alo’’ (we were from Bu√alo), ‘‘there’d still be half a foot of snow on the ground now. ’’ ‘‘Dirty snow,’’ Martin repeated, the words guttural and from somewhere deep in his throat. ‘‘That’s a pink dogwood,’’ Lily said. ’’ ‘‘Sure I will,’’ Martin said. There were signs right away that he wouldn’t, in fact, love it. ’’ ‘‘April Fools,’’ Nina said weakly. ’’ Martin said. ‘‘Ha! ’’ He grabbed a beer out of the cooler and left the party without saying good-bye. After Martin was gone, we attempted to keep the faith, and Kristen Yardley told an elaborate false story about the time she was groped by one of the lesser Rolling Stones, but our credulity had abandoned us and no one had much energy for April Fools any more, and we all went home.
It was a great comfort, believe me, to smell the cigarette smoke wafting up from the street to my bedroom window after the symposium concluded, and to hear all the voices agreeing with each other as the symposium contributors walked away into the inky night. But the old ladies didn’t stop there. Encouraged by the success of the symposium, they began to hold regular Monday night poetry readings. They were nice enough to ask me to attend the inaugural reading as their guest of honor. It was the first poetry reading I’d ever attended.
And once again, he got up and walked out the door. Over the next month time became liquid and awful. One moment I was eating dinner with my family, awash in their good company and the slow dawning of Lily’s forgiveness and the bounty of vegetables from her garden; the next, it was three in the morning and I could hear Martin banging around downstairs and I was remembering Amy, remembering what it felt like to touch someone new for the first time—which was about sex—and then to touch them a second or third or fourth time—which was about something else, something private and more complicated and terrible and closer to love.