By Timothy Johnston

Being Soviet adopts a fresh and cutting edge method of the an important years among 1939 and 1953 within the USSR. It addresses of the major fresh debates referring to Stalinism: 'what was once the good judgment and language of Soviet power?' and 'how did traditional voters relate to Soviet power?' on the subject of the 1st debate, Timothy Johnston shifts the focal point clear of Russian nationalism onto Soviet id which, with regards to the surface international, supplied a strong body of reference within the late-Stalin years. 'Sovietness' is explored through the newspapers, movies, performs, and well known track of the period. Johnston's most important contribution lies in his novel resolution to the query 'How did traditional electorate relate to Soviet power?' He avoids the present Foucault-inspired emphasis on 'supporters' and 'resistors' of the regime. in its place, he argues that almost all Soviet voters didn't healthy simply into both class. Their courting with Soviet energy used to be outlined by means of a sequence of refined 'tactics of the habitat' (Kotkin) that enabled them to stick fed, expert, and entertained in those tricky occasions. Being Soviet bargains a wealthy and textured dialogue of these daily survival thoughts through the rumours, jokes, hairstyles, track tastes, sexual relationships, and political campaigns of the period. each one bankruptcy finishes by means of exploring what this daily behaviour tells us concerning the collective mentalite of Stalin-era society. Being Soviet makes a speciality of where of england and the US inside of Soviet id; their evolution from wartime allies to chilly conflict enemies performed an essential function in redefining what it intended to be Soviet in Stalin's final years.

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Extra info for Being Soviet: Identity, Rumour, and Everyday Life under Stalin, 1939-53 (Oxford Historical Monographs)

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If rumouring was an act of resistance, then all Soviet citizens were resisters. The authors of HIP drew the same conclusion. 97 They concluded, on the basis that they had an unusually anti-Soviet sample, that their results underestimated the ubiquity of rumour as a means of transmitting information in the Soviet Union. The archival sources from the Stalin era also reveal a large number of what might be called ‘loyal rumourers’. Rumours of invasion, price rises, or the abolition of the kolkhozy were often passed on by individuals who were depressed or frustrated by the information they transmitted.

K. Transchel and G. Bucher, Our Daily Bread: Socialist Distribution and the Art of Survival in Stalin’s Russia, 1927–41 (Armonk, NY, 1999). xxxiv Being Soviet performance in that it was largely undertaken in relation to other Soviet citizens, rather than Soviet power. Performance often had a prescribed end: to obtain certain material or social ends that were dispensed by the government. When post-war Soviet musicians performed their sets in accordance with the dictates of government policy, they were ‘performing’ for the state.

Smith, ‘The Soviet Farm Complex: Industrial Agriculture in a Socialist Context, 1945–65’, PhD Diss. MIT (2006). 150 Dunham, In Stalin’s Time. See also: J. E. Duskin, Stalinist Reconstruction and the Confirmation of a New Elite, 1945–53 (Basingstoke, 2001). 151 S. Fitzpatrick, ‘Postwar Soviet Society: The “Return to Normalcy” 1945–53’, in S. J. , The Impact of World War II on the Soviet Union (Totowa, 1985), 129–56; K. Boterbloem, Life and Death Under Stalin: Kalinin Province 1945–1953 (Montreal, 1999); Brooks, Thank You, Comrade Stalin!

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